Tuesday, March 31, 2009

"You will realize that I AM"

Moses accordingly made a bronze serpent and mounted it on a pole, and whenever anyone who had been bitten by a serpent looked at the bronze serpent, he lived.
-- Nm 21:4-9

The Holy Spirit gives to some a special charism of healing so as to make manifest the power of the grace of the risen Lord. But even the most intense prayers do not always obtain the healing of all illnesses. Thus St. Paul must learn from the Lord that "my grace is sufficient for you, for my power is made perfect in weakness," and that the sufferings to be endured can mean that "in my flesh I complete what is lacking in Christ's afflictions for the sake of his Body, that is, the Church."
-- CCC 1508

Following this analogy, the first chapter will expound the three sacraments of Christian initiation; the second, the sacraments of healing; and the third, the sacraments at the service of communion and the mission of the faithful. This order, while not the only one possible, does allow one to see that the sacraments form an organic whole in which each particular sacrament has its own vital place. In this organic whole, the Eucharist occupies a unique place as the "Sacrament of sacraments": "all the other sacraments are ordered to it as to their end."
-- CCC 1211

"When you lift up the Son of Man,
then you will realize that I AM"

The truth of Jesus' divinity is confirmed by his Resurrection. He had said: "When you have lifted up the Son of man, then you will know that I am he." The Resurrection of the crucified one shows that he was truly "I AM", the Son of God and God himself. So St. Paul could declare to the Jews: "What God promised to the fathers, this he has fulfilled to us their children by raising Jesus; as also it is written in the second psalm, 'You are my Son, today I have begotten you.'" Christ's Resurrection is closely linked to the Incarnation of God's Son, and is its fulfillment in accordance with God's eternal plan.
-- CCC 653

(Art: Bourdon, Sebastien, Moses and the Brazen Serpent, 1653-54, oil on canvas, Museo del Prado, Madrid.)

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